“Life is a play that does not
allow testing. So, sing, cry, dance, laugh and live intensely, before the
curtain closes and the piece ends with no applause”- Charles Chaplin
Like most people, I have been
sitting at home the last couple of years watching endless movies and shows on
Amazon Prime, Netflix and Disney Hotstar. Actually, watching a movie on a big
screen in a theatre, fingers moving in slow motion from the tub overflowing
with tri-flavoured popcorns to the mouth, tugging at the tub one last time
before allowing it to get snatched away by the one sitting next to you, all
seem to belong to a distant past. While I sit reminiscing my movie watching
days in the good old theatres or sometimes even in
makeshift ones , not the ones with super- posh velvety seats in sub-zero
temperatures and super-reclining seats where you have to be careful to not doze
off and waste a couple of thousands, some happy memories take the field. So my warning to all my Gen X,
Y, Z readers is to stay away from this post as it will sound all Greek to you
or may even read like the not-always-fathomable ramblings of an idle, aging
mind.

Like most people born in the
mid-sixties and brought up in Bengali middle class homes, I began my tryst with
films with the all-time favourite Satayjit Ray’s Goopy Gyne , Bagha Byne. Undoubtedly, one of the best movies to
begin with and over the years I have learnt to appreciate it more and more at
different levels with every re-watch. Obviously, I have no memory of the
theatre in Calcutta where we went to watch it but it definitely was a big
family event.
Most of the theatres where I grew
up watching movies in Calcutta, Bombay
or Delhi (I still prefer the old names since I am at the moment transported
back in time) have either metamorphosed into the wonderlands called ‘malls’ or
have simply closed shop or have changed hands to transform into multiplexes or
are in the process of doing so. In a little railway town called Chittaranjan of
the locomotives fame (on the Bihar-Bengal border) there were no movie theatres
or at least I wasn’t aware of any at that time. This was the town I spent the
first few years of my life in, where the Railway Officers’ Club was the only
known place to me where films were screened for the members and their families.
This was our go-to place for any form of entertainment- swimming, sports,
dinner, pot parties, comics, housie(tambola), Fanta, Coca-cola or Kwality
ice-creams….period. Entertaiment ended
there! Friday nights were movie nights
followed by dinners to which all families in the colony looked forward in eager
anticipation. Mostly English movies- the war and old classics kind or the
Westerns- were screened. But at that kindergarten age the orange drink and
vanilla ice-creams served in glass cups were the major draws for me rather than
well dressed people in hats and coats moving about on the white screen talking
endlessly in an alien language.

My earliest memory goes back to watching my
first ever Hindi movie – Sawan Bhadon-
with our bungalow peon and Man Friday, Bhola. He was going to watch it at a
screening in some mela or exhibition
ground where they used to arrange movie shows for the staff and workers from
time to time. I had thrown such a tantrum that the poor guy had no way out but
to take me there and also return early with me, without watching the whole of
it, so as to make it in time before the curfew hours, imposed by my mom, set in.
For me it was a nice piggy ride on the bicycle, back and forth to the mela ground (full of stalls, giant
wheels and carrousels), with the bonus of watching a movie, projected on a
makeshift screen, over the heads of a multitude of people squatting on the
ground, from the vantage point of Bhola’s shoulders with a candy floss in hand.
Much later, I came to know that the rather plump heroine, singing and dancing
in the film (though at that time I thought they were all real people moving behind
the screens) with huge jhumkas, bindi and thick, well oiled ,
plaited hair, was to do a Cinderella like act in the coming years and turn into
the diva Rekha. I guess I had started on
the right note. Her Umrao Jaan and Khubsoorat have always been on the top
of my charts.
My family’s moving from a small
town to Bombay in the 70s meant an altogether different experience for me. In
those days Eros, the iconic theatre built in the Art Deco architectural style
in Churchgate, used to screen beautiful Sunday morning shows for the kids. A whole world of films kind of opened up for
me here-David Copperfield (the characters
still remain etched in my mind and the opening scene with a terribly handsome,
young David brooding on a deserted beach and his life’s story is unraveled in a
flashback), the world of Charlie Chaplin, the inimitable Laurel and Hardy shows, Tom
Sawyer, Born Free, Chitty Chitty Bang
Bang – to just name a few of the fabulous films that I watched here. Alas,
the curtains have come down on Eros.
Also, I wonder if today’s kids , with the amount of exposure they have to
screen time, will even step out of the house on a crisp, clear Sunday morning
and walk down from Cuffe Parade to Eros, holding daddy’s hand, to watch a
morning show. In those days, for us, it was a very big treat. Baba also took us
to watch much acclaimed Bengali and Hindi movies to the little auditorium inside
Akashwani like Garm Hava, Rajnigandha, Pather Panchali and Ashani
Sanket. And then there was always Bollywood. Though Baba took us to watch Sholay in Maratha Mandir, he wasn’t a
Hindi movie fan. There Ma intervened. But I still have notforgiven her for not
taking me to watch Khel Khel Mein, Julie and Kabhi Kabhie (I had to be
satisfied seeing all my favourite stars on the huge hand painted posters all
over the city and listening to the superhit songs on the radio). For that
matter even Bobby was out of bounds. Naturally,
though, I made sure I watched them all on television many years later.

Kolkata was my home for the next
few years- high school, college, university, work, love, marriage, motherhood.
Hindi movies were a big taboo in Bengali homes in those days. Not so much in
our home but definitely amongst the extended family. In that way my mother was
quite a rebel. Despite taunts from many family members she took the youngsters
in the family to see many Hindi Movies- Deewar,
Hum Kissi Se Kum Nahi, Muqaddar ka
Sikandar, Albert Pinto Ko Gussa Kyun Ata Hai, Aakrosh, Masoom , to name just
a few from a very long list. Once, in between my tenth board theory and
practical exams, I wanted to see the newly released Hum Paanch (at that time I was having a big crush on the angry
young man Naseeruddin Shah). And on our
way home, whom do we bump into? None other than the most disliked of all my
maternal uncles. I still remember him sniggering-Khoob Hindi cinema dekha hoy na? Parikkha cholchhe na? (You watch too many Hindi movies. Aren’t your
board exams on?). Another time, mom and I were back from seeing Sanjay Dutt’s Johny I
Love You. The moment we entered home we got the news of the passing away of
one of our very close elderly relatives who had been ailing for a while. Everyone
was hounding my mother regarding her whereabouts that afternoon and how they
had all been calling her up on the landline for the past few hours. I saw mom
hesitating to say we had been out watching Johny
I love You (would have sounded a
little weird considering the circumstances), so I quickly said we had gone to
watch Akaler Sandhane , hoping that a
Mrinal Sen directorial would save her from further grilling.
Schooldays gave little access to films
and many a times I had to be content hearing the plots narrated by college
going brothers and cousins. This is how I first came to know about Saturday Night Fever, Grease, Rosemary’s
Baby, Omen, The Day of the Jackal, though, of course, I made sure to catch
up with them in later years. In our
convent, the highest form of entertainment was the annual inter-house acting
competition where we ourselves acted in highly censored plays (exchange of
romantic dialogues between the hero and heroine were often left for the
imagination), the taller girls getting the
men’s roles and the shorter or more beautiful ones getting the women’s parts.
So you can imagine what happened when Far
from the Madding Crowd (being part of the curriculum) was projected, after
a few technical hiccups, on a temporary screen in a large hall packed with
teenage girls. Some girls, probably, remained for a week in a trance imagining
they were Bathsheba while others spent hours swooning over the charms of the
irresistible Sergeant Troy or the loyalty of the stoic Gabriel Oak. Television
did throw up the Saturday Bengali movies and Sunday Hindi movies with occasional
marathon movie shows during election time. I had a college going cousin – the jholawala pseudo-intellectual type found
in all Bong families- who would watch only the Satyajit Ray- Mrinal Sen - Shyam
Benegal kinds and had a disdain for all others- and I remember getting into
endless arguments with him over the merits of a film like Teesri Kasam or the appeal of a Soumitra-Suchitra hit like Saat Paake Bandha.
Our regular movie haunt with
friends was Lindsay Street- Globe, Lighthouse, New Empire. These theatres once
hosted Italian operas and theatrical performers from England and other parts of
the West. This was where elite Indians rubbed shoulders with the Europeans in
colonial Calcutta. Later, they were converted to screen celluloid but the
seating arrangement still had that opera like aura. It is indeed sad that these
theatres, which once entertained the entire European community and later the
English cine goers, had to see very bad days before being sold off to new
owners who gave them new look or transformed them to malls and cineplex. They
were very much a part of our childhood and youth and it is indeed sad to see
them gone. In those days, a friend’s
birthday treat always meant a movie followed by a kebab roll or an ice-cream
treat. And what better place for that than Globe or Lighthouse on Lindsay
Street ? A balcony or dress circle ticket would cost anything between 4-7 bucks
in the best of theatres. Other seats you could get for much less. My male
cousins regaled us with stories of the bug ridden 75 paise seats in some cinema
halls though we girls seldom ventured there. I can still recall watching Sound Of Music (an old release) and then
running all the way down the arcade in Esplanade to catch the just missed
minibus back to Lady Brabourne College so that our hostel friends could be
inside the campus within the stipulated time .Fortunately, in those days we
still tried to abide by the rules as much as possible and ‘Pinjda tod’ had not
been heard of yet.
Another time, during the
Presidency College festival, I remember watching Ingmar Bergman’s So Close to Life in the morning at the Derozio Hall, followed by Mehboob Khan’s
Nargis-Sunil Dutt starrer Mother India
at Hind Cinema later during the day, and then returning to Presidency
auditorium again in the evening to round off the day with De Sica’s Bicycle Thieves. One of my friends’
mothers had commented, “Your repertoire of films seems to be highly varied for
one day. With so much in your head it is a wonder you all found your way back
home.”
“Those were the days my friend
We thought they’d never end
We’d sing and dance forever and a day
We’d live the life we choose
We’d fight and never lose
For we were young and sure to have our way
La la la la……”
Life moved on. Met S and got
married. With M joining us soon after, we were caught up in the cycle of
office-home-office for days and it was the end of romance and movies for us. One
day we got a couple of days off for the insurance Licentiate examinations. On
the first day we sat through the paper diligently. On the second day, we left
home for the examination centre but when the bus was going past Metro we saw
the poster of Nana Patekar’s Prahaar,
exchanged guilty looks and quickly got off. Prahaar
was worth playing truant for and we comforted ourselves that in any case we
would have had to re-take the second paper since, with a baby at home,
preparation had been next to nothing. So let second paper be shelved for
another year!!
Life always comes full circle.
Soon it was time to take my daughter for her first movie. Hum Aapke Hain Kaun had been running for months at Savitri Cinema close
to our Delhi home. By now little M had been watching television and had picked
up some of the catchy numbers from the film. Savitri was one of those theatres
where you had to jostle your entry through a pushing, prodding crowd before you
could manage to finally plant yourselves on your assigned seats. M was so
delighted seeing her favourite Sallu- bhai dancing and singing that she
entertained the audience by standing up on the seat and breaking into a song
every time the known numbers would come up on screen. Fortunately for us, the
audience there was watching the film for the second or third time so they were
amused rather than being annoyed.
Savitri closed down a long while
back. So did the shop that sold such awesome shammi kebabs near it. I do not
know which I missed more. Recently, Savitri Cinema has risen from the ashes in
its new avatar- Cinepolis Savitri. Nowadays, to enter theatres you do not have
to shove your way through. Rather, beautifully decorated and well lit foyers
welcome you. Cinemas have become an altogether exhilarating experience where
more than the films other experiences like gourmet food and play areas attract
movie goers. Though I still miss those ushers or torch men whom we would look
for in the dark and who would focus the beam on our seats. There was a certain
charm about finding the nearest torch man, tripping your way up those mould
ridden , worn-out, carpeted steps, invariably getting yelled at by an old
person for stepping on her toes and, finally, managing to find your seat only
to realize that it is too rickety and every time that you tried to recline, it
creaked. Nowadays, we enter the auditoriums loaded with magnum sized popcorns packets
and nachos or much more. During interval Italian or Thai or Mexican cuisine is
delivered at your seats. Not too long ago, the maximum that men could do to
impress their partners would be to buy wafers or peanuts in thin plastic packs
from the guy who entered the hall during interval with a huge tray swung around
his neck. Now the options are endless.
My reverie soon ends as someone
has switched on the television in the room and I am jolted back to reality -
Republic’s Arnab Goswami screaming on television about who pelted stones at
whom during a religious procession and Rahul Shivshankar from Times Now
assaulting our minds incessantly with the delusional theory of being the first
channel to show the most horrific images of a war.
May be it is time to go to the
cinemas after all!
DS
PS.Pics downloaded from internet.